In the East Village in New York City, a man steals a french fry, gets into a fist fight, takes drugs, and has a depraved tryst with a sex worker behind a dumpster—all in the first few pages of this debaucherous satirical comedy. Rusty, a sex-addicted man with erectile dysfunction, spends his days (and nights) pursuing demeaning, degrading sex. After a particularly haunting night spent debasing a woman named Sonya, Rusty decides to respond to an advertisement that promises to cure his erectile dysfunction. When he goes in for treatment, however, Rusty finds that the ad was actually a cover for a secretive and fantastical group called the Wormhole Society, “a secret society that uses wormholes to change people.” Availing one’s self of the wormholes comes with two risks: “losing the self and ending up lost in time.” With nothing to lose, Rusty thrusts himself through a portal (cleverly disguised as a sandwich board inside his favorite local restaurant) and hurtles through time and space. Somewhere in between masturbating in a crowded elevator on 9/11, having animalistic sex with Lucy, the first known human on Earth, and experiencing an orgasm as nothing but a subatomic particle in the Big Bang, Rusty begins to question who he is and how he can be a better man. (He also wonders if “doctors [he] saw in the parallel universe [would] be considered out-of-network.”) Via blunt, sharp prose and rough dialogue (“‘I wanted a ladyboy, but if you’re into extreme humiliation you can stay,’ I slurred as I cracked a popper and felt a wave of warmth surging through my body”), Levy creates characters both deplorable and engaging. Throughout Rusty’s obscene and otherworldly journey, the author boldly tackles topics including human nature, self-worth, and relationships at their ugliest. Not for the faint of heart, this dark comedy is “terminally unique”—and wholly compelling.

In his debut memoir, the author, a former Arizona state representative, recounts the highlights and low points of an eventful life, including his wife Rhonda’s battle with breast cancer and his own nightmarish experience with Covid-19. Sierra describes himself as a classic “retail politician,” someone who regularly cuts ribbons or appears in parades. “I like getting to know people,” he writes, “shaking hands, and giving hugs.” He asserts that his wife was an invaluable help in “cultivating” his finer qualities. “I’m not saying it was an Eliza Doolittle scenario,” he quips, referring to My Fair Lady, “but it was pretty much an Eliza Doolittle scenario.” His wife had fought cancer and won a few years ago, and everything looked rosy for the future when the fateful year 2020 came along. Suddenly, all of the good feelings and the upward trajectory of Sierra’s burgeoning career in Arizona politics came to a sudden halt. “I know I’m not the only person to have that experience in March 2020,” he recalls, “and it sucked for all of us.” In a statement that garnered national attention at the time, Sierra observed of the pandemic, “This enemy has no lands to invade, no ideology to defeat.” In the book’s dramatic high point, that enemy strikes Sierra severely: He tested positive for the virus and soon found himself on a ventilator. He writes about love, heartbreak, national events (like the pandemic and the death of Supreme Court Justice Ruth Bader Ginsburg), and even his nerdy love of Star Trek with an unaffected directness and storyteller’s skill. It’s a touchingly human account, and Sierra’s aura of affection somehow even extends to the cutthroat world of politics. The nuanced result reads far more believably than most political memoirs.

Since its 2021 French-language publication in Paris, this work by Bolloré and Bonnassies has sold more than 400,000 copies. Now translated into English for the first time by West and Jones, the book offers a new introduction featuring endorsements from a range of scientists and religious leaders, including Nobel Prize-winning astronomers and Roman Catholic cardinals. This appeal to authority, both religious and scientific, distinguishes this volume from a genre of Christian apologetics that tends to reject, rather than embrace, scientific consensus. Central to the book’s argument is that contemporary scientific advancements have undone past emphases on materialist interpretations of the universe (and their parallel doubts of spirituality). According to the authors’ reasoned arguments, what now forms people’s present understanding of the universe—including quantum mechanics, relativity, and the Big Bang—puts “the question of the existence of a creator God back on the table,” given the underlying implications. Einstein’s theory of relativity, for instance, presupposes that if a cause exists behind the origin of the universe, then it must be atemporal, non-spatial, and immaterial. While the book’s contentions related to Christianity specifically, such as its belief in the “indisputable truths contained in the Bible,” may not be as convincing as its broader argument on how the idea of a creator God fits into contemporary scientific understanding, the volume nevertheless offers a refreshingly nuanced approach to the topic. From the work’s outset, the authors (academically trained in math and engineering) reject fundamentalist interpretations of creationism (such as claims that Earth is only 6,000 years old) as “fanciful beliefs” while challenging the philosophical underpinnings of a purely materialist understanding of the universe that may not fit into recent scientific paradigm shifts. Featuring over 500 pages and more than 600 research notes, this book strikes a balance between its academic foundations and an accessible writing style, complemented by dozens of photographs from various sources, diagrams, and charts.

In a preface, the author isn’t joking when he warns that Loading “isn’t a story you’ll wanna tell at parties”; rather, it’s “what crawls out when the screen gets a hard-on for your eyeballs,” and his cleverly designed layout opens each chapter with a warning: “If you want to stop the installation process, press the ‘Esc’ key.” Marshall, born Markus Jensen, endured a nightmarish childhood—a dad who rejected him, a drug-addicted mom, and a raging bully of a stepfather—and things didn’t go much better after he hit college, where his ex-boyfriend put their sex tape all over the internet, shortly after their breakup. Now, Marshall is a 30-something sex worker in Thread City who entertains male clients out of his hotel room and uploads the resulting sex videos, all in a grab for attention and money, which he achieves—although he feels like he’s starting to lose his humanity. Marshall feels “empty” and “hollow,” which, it turns out, makes him the perfect vehicle for a concoction someone feeds him during a feral orgy with 12 men. As it turns out, the participants have more than sex on their minds; they’re apostles of a new kind of god, merging humanity and computer code, which now gestates inside Marshall. It won’t take high technology for readers to figure out what Klarxon is getting at in this horror tale—in fact, he lays it all out in his introduction: It’s about our “hunger for content . . . a portrait of a world where nothing’s too extreme, too private, too sacred to be sold.” The author is obviously a gifted writer with a strong, if clangorous, voice (“His veins, he could see them, feel them, glowing from within, / blue lightning beneath translucent, alien skin”); a social conscience; and a salient point to make. Readers who don’t mind this book’s general lack of subtlety are sure to love it.

San Francisco, 2019: Until recently, attorney Ellie Benvenuto was a rising star at one of the city’s top law firms. Unfortunately, the responsibilities of her home life led to her unceremonious dismissal. The older of Ellie’s two young sons, Luca, was diagnosed with several disabling conditions, and Ellie—who has held primary custody of the boys since her divorce—needed more time to see to Luca’s needs than the firm was willing to give. Now, she works for the Immigrant Legal Defense Collaborative, where the paychecks are significantly smaller and the cases are more emotionally draining. Even with her neighbor and best friend, Anika Owens, to lean on, Ellie struggles to figure out how to provide for her family in a world that seems to despise women. When her grandfather dies, the diary of Ellie’s great-great-grandmother, Theodora Ellis, comes into her possession. Teddy (as Theodora was known) recorded her life in the 19th century, including her overland journey from Chicago to San Francisco, her marriage to Klondike miner George DeLuca, and her pioneering work as an architect, suffragist, and philanthropist. As Ellie takes on a tricky case representing an injured immigrant worker and begins a hesitant new relationship with handsome neurosurgeon Sam Varma, she follows Teddy’s chronicle, which includes details of Teddy’s (and her husband’s) polyamorous relationship with an Indigenous couple and accounts of Teddy dressing as a man in order to move in male spaces. (“He seemed to have his eyes turned upwards, looking practically at the ceiling and I realized that my hat probably does add at least a foot to my height,” recounts Teddy of a colleague responding to her attire. “He told me he had never seen a woman in a tuxedo. I said, ‘Well you have now!’”) Can Teddy’s experiences from more than a century ago help Ellie make sense of the possibilities of her own time?

The author’s descriptive prose is especially vibrant in the book’s Teddy sections, which sparkle with details of a former world. “The shaft I work currently goes 2,000 feet into the ground each day,” writes the woman of her days mining silver in Virginia City, Nevada. “I am lowered down like a rat in a bucket, straight into the mouth of the furnace. The heat is unbearable. The men work in overalls and nothing else, but I of course cannot take off my shirt.” The Ellie material is slightly duller by comparison, though Kanter St. Amour infuses her story with compellingly topical concerns about work, marginalization, and the struggles of parenthood. Though the narratives echo one another more than they directly interact, readers will draw the connections between Teddy’s eagerness to flaunt expectations for women in her own time and Ellie’s relatable struggles to lift up herself and the women around her. Thoughtful without ever losing its breezy pacing, this narrative will please readers of both contemporary and historical fiction.