As the sky darkens, the family tinkers with a rusty old car. After securing the titular couch to the car’s roof, they drive over “the gravelly roads… / up in the mountains, down by the hollow,” to a field of old abandoned vehicles. With a little love and magic, their car takes flight over the open space, where they’re bathed in the light of “a moon that is wondrous, / that will never break” and gaze at the fog, “which hugs the mountain like cozy bedsheets.” After their nightly trek is complete, they return to their humble abode filled with love. Inspired by nightly drives with her family in Appalachian Ohio, Hoefler tenderly pays tribute to an area whose inhabitants are often misunderstood or looked down upon. Using a “House That Jack Built” format, she finds beauty in things many would overlook, like “the field with the school bus surrounded by sheep.” Quotidian details mingle with the strange and surreal, with captivating results. With a shimmering, impressionistic flair, Seiferling’s digital illustrations add texture to the deep blues and blacks of the nocturnal setting. Author’s and illustrator’s notes further emphasize the importance of finding meaning in the simple and everyday. Most of the family members are tan-skinned and present East Asian; one child is darker-skinned.

After Cincinnati Lee, an American girl who has some Chinese heritage, snags her ailing 135-year-old archaeologist great-great-great-grandfather’s diary, she learns about a clay idol from Peru that he looted (and which has cursed the family) and the legendary Spear of Destiny (a relic rumored to grant immense power, but at great peril). Determined to right past wrongs, Cincinnati works to recover the idol. In doing so she unravels an international web of secrets involving corporate art smugglers, curse-bearing relics, and her own family history. Along the way, Cincinnati is supported by friends: Parsley, a Black classmate at her posh private school and the daughter of a celebrity musician, and Felix, who presents Latine and is an amateur forger whose father works with Cin’s mom at the Cosmopolitan Museum of New York. The settings and characters are well developed, and laugh-out-loud dialogue accompanies the bold, fast-paced narrative. References to other adventure stories, real places, and true-to-life political controversies (such as the Hobby Lobby smuggling scandal) abound, adding depth and inviting readers to reflect on questions of cultural heritage and museum ethics. As Heilig writes in her author’s note, “When the treasure we put on display is evidence of a crime, what will future generations believe about our values?” This story is hilarious, smart, and respectfully rendered, and the writing is accessible while still feeling literary.

For decades, biographers have focused on Martin Luther King Jr.’s successful leadership in the South while suggesting that his Northern activism failed because it lacked direction and local support. Theoharis, a professor of political science at Brooklyn College, upends this narrative by painstakingly documenting King’s relentless and impassioned battles against Northern discrimination and police brutality, an effort that had its origins in his experiences as a graduate student in Pennsylvania and Massachusetts. Author of The Rebellious Life of Mrs. Rosa Parks (2013), Theoharis also presents a fully developed picture of Coretta Scott King’s activism, both in tandem and apart from her husband, whom she met as a student in Boston. Neither of the Kings forgot the racism they encountered as students in the North, and they worked with local organizers to address it throughout their lives. Yet time and time again the same white Northern politicians who praised King’s civil rights work in the South either fell silent or became combative when King turned his attention to the systemic racism of the North. Chicago Mayor Richard J. Daley did everything in his power to stop civil rights progress in the city and defended his white neighbors who “threw rocks, eggs, and firecrackers” at civil rights marchers as “fine people, hard-working people.” The New York Times, Los Angeles Times, Chicago Tribune, and other mainstream news outlets often ignored or actively refuted King’s accusations of Northern racism, creating a documentary history that has shaped King’s legacy ever since. By looking beyond these sources, Theoharis depicts a complex, radical King whose fight against Northern racism alternately inspires and infuriates.

Although Charlie Wags may seem like an ordinary little dog, he has an extraordinary secret: By wagging his tail, he can take flight and explore different places all over the globe. In his latest adventure, he’s off to explore the capital of the United Kingdom. Beginning at Buckingham Palace and ending atop the London Eye, the mystical pup takes the readers on a tour through the city’s major tourist attractions, learning about the history and the local customs as he goes. At the end, Wells and Barclay invite readers to “paws and learn” with additional fun facts about every monument that Charlie visited. They deliver a cozy, clever, and informative little story, complete with a map of London and questions to get the young readers involved with the tale. Sjöström’s full-color artwork brings Charlie’s travels to life with her stunning watercolor renditions of the city. The vibrant artwork offers young readers a way to experience a new land without leaving the couch, but the adorable little dog’s journey is sure to spark interest in travel abroad.

British biographer, novelist, memoirist, and literary scholar Todd admits that she was late in discovering Jane Austen. “She wasn’t my childhood passion,” she writes, but certainly Austen has become a significant focus of her scholarship: Todd edited the Cambridge edition of Austen’s works and is deeply knowledgeable about her life and times. In an engaging melding of memoir and literary analysis, Todd offers a close reading and personal response to Austen’s most indelible characters, including Emma Woodhouse, Anne Elliot, Elizabeth Bennet, Fanny Price, and the Dashwood sisters, Marianne and Elinor, as well as the men, relatives, friends, and neighbors with whom they interacted. As she reflects on Austen, Todd charts her own path as a scholar, first in England and then in the U.S., where she studied and taught at a time when women’s studies and French critical theory were shaping English departments. Both perspectives informed Women’s Friendship in Literature, her book about intimate relationships in women’s fiction and in their authors’ real lives. Austen appeared in that book, as did Mary Wollstonecraft, the subject of another of Todd’s biographies, who also features significantly in this current volume. Besides responding to Austen’s fiction, Todd takes a discerning—and admiring—look at her letters: “mischievous portmanteau accounts of a life filled with people—some too fat, some too short-necked, some just too nondescript for comment—and random things, from muslins and sofas to honey, cakes and wine.” Although Todd finds the letters captivating, the novels have proven most revelatory for her, spreading “out and round me like rich material, a shot silk of rippling ambivalence, of passion and affection, temperamental undercurrents, neediness and intellectual solitude, confusions clarified, resilience, exertion and stillness—and love (however ironised).”